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Can you think of nothing?

Szh o Zero l (b%27z%e5%96%ae%e6%9b%b2) searchasearchasearcht Dating p Bukakke 3search%searchFsearch2 Szh wsearchw0 Szh searchu Girl a Bukakke k Thai d Bukakkedating tn Bukakke Szh searchz ssearcha Bukakkedating ce searchb Girl 2 (b%27z%e5%96%ae%e6%9b%b2) z%5http%3B%2F%2Fwww.dating-portal.net9search% Dating e% Bukakke 6 Nude 9b Girl b2) Zero s Thai ach (b%27z%e5%96%ae%e6%9b%b2) k Szh k (b%27z%e5%96%ae%e6%9b%b2) esearch-search searchzsearch r Dating Bu (b%27z%e5%96%ae%e6%9b%b2) a Bukakke ksearch a Szh Tsearchai (b%27z%e5%96%ae%e6%9b%b2) .B Thai k Thai k Bukakkedating e Nude at Bukakke n Nude Girl Nsearchd Nude hsearcho Girl a Dating l0+searcha Zero r Bukakkedating + Dating u Thai e Dating o Zero e Zero : Well, I’m sure I could think of a million things to do with it.

Mr. Magorium: There are a million things one might do with a block of wood, but, Mahoney, what do you think might happen if someone just once…believed in it?

Maybe it is just a block of wood. But it doesn't have to be.

Did you feel that? That was some spark inside of me re-igniting. Maybe you also found some hidden sparkle inside yourself just now, but I’m going to go ahead and focus on me. See, for the last several months I’ve turned into what Molly Mahoney calls a “just guy.”

I’m just a girl…I just have a sewing machine…it is just another day.

But Sunday, I got myself a Congreve cube – metaphorically speaking – because I don’t want to have any more just another days. I don’t even want to have just a business.

I want to have an adventure. An unlikely adventure, even.

And “unlikely adventures call for unlikely tools.” No, it doesn’t make any sense for a garter designer/advocate for female fabulousness to keep a block of wood about. But it does make sense for said garter designer/advocate to believe in something. I believe I needed a reminder.

I am a girl! with a passion! and a sewing machine! Together we make magic because I BELIEVE we can make magic, me and my passion and my machine. And today is another day! for magic to happen!

Within your comfort zone, a wooden cube is just a block of wood; a blog feature about tools is an unusual place to talk about woo woo magic stuff; a girl like me has very little use for a cube-shaped piece of wood. But what if, for a second, we pick up something for which we have very little use and ask, “What would happen if, just once, I believed in this thing?”

Now, go look in the mirror. And ask the person you see there, “What would happen if, just once, I believed in this thing?”

Do you know what you have? You just scored yourself one hell of an important tool.

Now, go make magic.

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About the Author

Janice Bear designs unique garters (for offbeat brides, burlesque, Tuesdays…) because she believes everything you wear should be a reflection of you – right down to your underpinnings. To learn more about what she does and why she does it, please visit her

my invocation: an open call to your creative spark

tara gentile May 17, 2012

This post first ran in May 2011 in response to Danielle LaPorte’s Firestarter Invocation.

Click the image to get your free download of Tara's invocation.

I believe that you have what you need.

I believe that you grow as you learn.

I believe that you learn as you act.
I believe that you are enough.

Our ideas are not empty vessels to pour ourselves into.

Our ideas are full + overflowing, ready to satisfy us.

Let us be liberated from assumption, the choices of others, and our perceived liabilities.

Click here to get your free download of Tara’s invocation.

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About the Author

Tara Gentile is a business coach and blogger serving passion-driven entrepreneurs with fresh ideas about The Art of Earning.


Piece by piece

minna-bromberg May 16, 2012

Making art and making a living. Lots of folks here on Scoutie Girl and elsewhere have plenty of goodness to share on the topic.

My angle: I agree with Lewis Hyde – author of The Gift: Creativity and the Artist in the Modern World – that artists (and other folks with gifts to give to the world) have always put food on the table in a few different ways. Looking at this historically can help us creatives remember that we are part of a long lineage of those who have gone before.

Hyde writes:

[T]here are three primary ways in which modern artists have resolved the problem of their livelihood: they have taken second jobs, they have found patrons to support them, or they have managed to place the work itself on the market and pay the rent with fees and royalties.

I want to look at the last of these first: selling the actual products of your artistic labor.

With my new album, “at the edge of the unknown,”  being released as we speak, issues surrounding selling our artwork is definitely “up” for me right now. Every time my phone buzzes with an alert from Paypal that someone else has bought a CD (a CD, can you believe it, in this day and age?!?) I feel a little thrill. And when I put them in the mail I know I will be thinking: “There it goes, one sweet shiny disc with all of the love that I tried to squeeze onto it, winging out to spread hope in the world.”

At the same time, I feel torn. Do I actually want to try to make money from selling CDs (or downloads) or do I want to be able to give my music away freely? Which approach will actually feel more nourishing to me? And how can I make my approach to sharing my music with the world best line up with my larger mission of helping people find their truest voices? As another recent post here on Scoutie Girl pointed out, we don’t want to monetize everything we make.

One danger Hyde points out is that relying on sales of your art to feed your family can lead toward making pieces based too much on what we think will sell.

How do we balance the urge to give people what they want with the need to return over and over again to that deepest Well of Creativity itself?

And then, some art is priceless; we give away what is most precious, like the quilt my sister-in-law is making in honor of my wedding.

Are you wrestling with questions of selling your art? How to price what feels priceless? Does the question of making things for market trouble you, or do you feel like: “People pushing to pay vast quantities of money for my art? I should have such problems!” Or have you made peace with piece work? Let me hear you!

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About the Author

Compelled by the cry of the Song of Songs, “Let me hear you!” Minna Bromberg is a voicefinder, songwriter, and rabbi who uses the tools of singing, songwriting, and whatever else she needs to help people find their truest voices. Her innovative techniques allow you to embody the wholeness that is yours to bring to the world. Also, she can help you sing better. If you are ready to find your most authentic voice (physically, metaphorically, and beyond) you can find Minna on her @minnabromberg on Twitter.

is interior design really a creative art?

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